We are back! This month, I’m happy to introduce our friend Reto Müller of Switzerland who has provided us with three brief and sublime Mongolian rarities. It was fun to do a little research together! – JW
Reto Müller:
Ever since I heard Mongolian music for the first time, I felt very drawn to its power. So, I decided to pack my backpack and visit Ulaanbaatar in the hopes of finding traces of early recording.
My adventurousness was rewarded. This record I obtained from the estate of a Hungarian politician is no longer an obscure treasure of Mongolian music. It was Mr. Surenkhorloo, a scholar of early recordings, whom I luckily met in Mongolia, and who kindly helped me to shed some light on the story behind this very disc.
It features the fine songstress Dashzevegiin Ichinkhorloo (1910-1972) performing three short pieces. The first is titled “Gan Tumur,” where she is accompanied by Mr. Dorjdagva on the bowed instrument known as the khuuchir. Both were honored People’s Artists. The second track is a well-known folk tune titled “Gandii Mod” (mynah tree), and the third is “Yanjuur Tamkhi.” In the latter, she is accompanied by another People’s Artist, Magsarjavyn Dugarjav (1893-1946), on the Mongolian flute, the limbe.
These three recordings were made in Moscow in 1934 and first released on the state-run label known as Gramplasttrest, numbers 427/428. I was told that in the early days, records were not common in Mongolia at all. They rather were awards for gifted musicians. Therefore, these issues are very scarce.
The copy featured here is a reissue on the BNMAU label (Bügd Nairamdakh Mongol Ard Uls – or, Mongolian People’s Republic). In 1946, BNMAU released several records for Mongolia’s 25th anniversary of independence from China. They were pressed in the Soviet Union.
If you happen to be in Ulaanbaatar, make sure you visit the “Mongolian Theatre Museum” near Sukhbaatar Square. It features an awesome music section. They even have Mrs. Ichinkhorloo’s shanz, her diary, and numerous pictures on display.
Meanwhile, you can listen to her singing.
If you track down early recordings of Mongolian music you will eventually bump into the works of Danish explorer Mr. Henning Haslund Christensen, who recorded on site in Inner Mongolia. Obviously, he too was drawn to Mrs. Ichinkhorloo’s voice, as it seems that he had made a copy, or dub, of the first of these three pieces, “Gan Tumur”: see “1938/39 female singer acc. by morin khuur.”*
Ichinkhorloo – Gan Tumur; Gandii Mod; Yanjuur Tamkhi
Notes
Label: BNMAU
Issue number: 13460
Matrix number: 13460/5n Г-92
*While Europeana states that the instrument is the morin khuur, we believe that it is in fact the khuuchir, though the limits of recording could alter the sound, and it could in fact be the morin khuur fiddle. Secondly, Europeana also lists the date of the recording as 1938 – we believe that is incorrect, and that their recording is in fact Haslund Christensen’s 1938 re-recording or dub, at an inaccurate speed, of the very same 1934 Soviet recording of “Gan Tumur” that was eventually issued on BNMAU, here.
Image courtesy of Urlag.mn.
Excavated Shellac 