Edouard, Oliveira, Freitas, and San Salvador – Chérie Bondowe
September 14, 2008
Back to the Congo and the incredible Ngoma label. In fact, this week we are returning to the same important Congolese artists who appeared in my June 7, 2007 post. However, this time they are accompanied by their band San Salvador, named by Manuel D’Oliveira after his birth place in Angola. This track, an outstanding example of Congolese pop from the early 1950s, features three guitars, a beautifully captured upright bass, some subtle percussion, and not a clarinet as the label states, but a phenomenal solo on the Solovox keyboard. This is a good one.
Ngoma, as mentioned in my previous post, was one of the first independent labels to start producing records out of Léopoldville (now Kinshasa), and was run by two Greek brothers: Nikos and Alexandros Jéronimidis. They recorded their first records in the late 1940s on acetates, which were then shipped to Belgium for duplication, and shipped back to Léopoldville for sale. However, Belgium proved too expensive for duplication because of import taxes, so the brothers eventually bought a tape machine for use in Congo, and a record pressing factory outside of Paris. By the late-50s, they had recorded some 2000 records, and had moved into the production of 45s. As far as I can tell, they were sold in Congo and Cameroon, with perhaps some distribution in West Africa and elsewhere (?). The original Ngoma master tapes were destroyed in a fire in 1963, and apparently the only complete collection of file copies of Ngoma releases was destroyed during internal strife in 1989.
Before you African music aficionados jump up, I will admit that I’m doing something a little different here. This track originally appeared on the now out-of-print CD, Ngoma, The Early Years, 1948-1960. Although a terrific CD in its own right (with great notes by Dr. Wolfgang Bender and others), many of the tracks on that CD, including this one, were culled from less-than-perfect sources (i.e.: often muffled tape copies of original vinyl EPs, as opposed to original 78rpm copies). This song is also IN print on a Buda Musique CD titled Musique Populaire Africaine. While my copy of this record is not stone perfect, I believe this mix is a marked improvement on both the existing CD versions (give ’em a try, you’ll see) so if you are familiar with either of them, I think you will be happy.
Issue Number: 1283
Matrix Number: J 2569